![]() Indeed, it is perhaps not coincidental that Nightmare of the Wolf bears a passing resemblance to the Netflix anime series that is most visible to casual American viewers, Castlevania (2017-21): Both are dark fantasy-action stories characterized by their horror elements and ultra-violent tone.įor established fans of The Witcher, this new animated film is not exactly essential, but it should provide a gratifying dip into the series’ world as they wait for the premiere of the second season in December. The film is clearly designed to attract the same viewers that made The Witcher one of Netflix’s buzzy success stories, but it also fits comfortably within the original anime programming block that the company has established. This makes Nightmare an odd beast, in terms of its intended audience. The Witcher: Nightmare of the Wolf is a one-off animated feature film, but it also serves as a prequel to Netflix’s sword-and-sorcery series, The Witcher (2019-). Netflix’s latest project with South Korea’s Studio Mir – which produced Voltron and Dota and animated the bulk of Nickelodeon’s The Legend of Korra (2012-14) – lies at the confluence of the streaming service’s anime offerings and its live-action fantasy programming. American and South Korean studios that produce anime-style animation have also been getting in on the venture, with series such as Voltron: Legendary Defender (2016-2018), Blood of Zeus (2020-) and Dota: Dragon’s Blood (2021-). (They’ve also gobbled up exclusive distribution deals for series that have never premiered outside of Japan.) Slowly but surely, the streaming giant has built a slate of well-regarded anime series that cover a variety of styles and genres, including Aggretsuko (2018-), Devilman Crybaby (2018), Carole & Tuesday (2019), and Kengan Ashura (2019). ![]() While niche anime streaming services such as Crunchyroll and Funimation primarily rely on their robust back catalogs of classic and obscure animation to attract viewers, Netflix has embraced a different approach, one built predominantly around new, original content.
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